20130331

The Financial Perspective (Part 5)


In addition to the financial measures indicated in the literature, a metric for facilities overhead has been added as a factor to improve cost structure. Whether or not a presenter operates a venue, charges for utilities, maintenance, grounds and custodial will impact the cost structure of venue use. Utilities in particular can have a dramatic impact on cost given that facilities often involve significant square footage maintained with the requirement of a comfortable environment. Complex lighting, sound and rigging systems also use significant amounts of electricity and generate heat.
Revenue growth for the performing arts is driven by strategies to diversify, broaden and deepen participation as discussed in the customer perspective. Key financial measures for these participation goals include revenue from first time participants (diversify), revenue from repeat customers (broaden) and lifetime customer value (deepen). Table 10 summarizes revenue growth objectives and measures.
Table 10
Objectives and measures for the financial perspective; revenue growth strategies.
Financial Objective
Performance  Metric

Revenue Growth Strategy


Build the Franchise


Increase Customer Value



Revenue from first time participants
Fundraising from foundations
Percent revenue growth
Corporate and business sponsorships
Lifetime customer value
Revenue per participant
Donation per participant
Net margin

20130324

The Financial Perspective (Part 4)


The not-for-profit sector which includes presenters has taken action to improve its financial condition. A survey of not-for-profit organizations (including theaters) by Salamon and Sullivan (2004) found that cutting costs and programs were cited as the most effective strategy; while productivity enhancements were cited by 10 percent of respondents. Fees and increasing program margins, advocacy, targeted marketing and forming coalitions represented the most effective growth initiatives. Table 8 presents the ten most effective strategies as cited by respondents.

The financial perspective and of the balanced scorecard is divided into productivity and growth strategies which includes; increasing asset utilization, improving cost structure, enhancing customer value and expanding revenue opportunities. Table 9 summarizes these strategies, performance metrics and benchmarks indicated by the literature for increasing productivity in the financial perspective of presenting organizations.

Table 8
 Top 10 Most Effective Strategies (Salamon and Sullivan, 2004, p. 7)
Strategy
Percent who claimed it effective
Cut costs
27%
Reduced program jobs
16%
Fee-for-service/margin
15%
Reduced administrative overhead/jobs
14%
Advocacy
12%
Marketing - targeted
11%
Coalitions
11%
Marketing - general
10%
Productivity enhancements
10%
Cut programs/program capacity
8%


Table 9
Objectives and measures for the financial perspective; productivity strategies.
Financial Objective
Performance  Metric
Industry Averages
Productivity strategies
Increase Asset Utilization
Capacity Utilization
Marketing Efficiency
Development Efficiency
Coalitions/partnerships
Improve Cost Structure
Increase Program Margin
Reduce Administrative Costs
Facility Costs

No. of seats sold/available
Revenue/marketing expense
Contributions/fundraising expense

Rental revenues

Program revenue/program expense
Percent of all expenses
Percent of all expenses

81%
3.19
7.93



.73
11%
Not available

20130311

The Financial Perspective (Part 3)

Kushner and Pollack (2004) identified four key operating measures in their study of performing arts presenters that impact the financial perspective. The four measures are development efficiency, marketing efficiency, program margin, and capacity utilization. Development efficiency is the number of dollars contributed per dollar expended for fundraising and development activities. According the authors, the ratio for all presenters in the study average $7.93 in FY2001/02. Another study by Hager et al (2004) of Federal 990 forms submitted by not-for-profit arts, culture, and humanities organizations indicated a development ratio of $5.55 for FY 2001 returns.

Marketing efficiency is the number of dollars generated per dollar of marketing expenditure. Kushner and Pollack (2004) study of performing arts organizations found that on average, each dollar of marketing expense generated $3.19 in revenues.

Program margin is the ratio of box office income to the sum of artistic and production expense. Kushner and Pollack (2004) found that on average, box office revenues covered only 73.3% of production expenses; production expenses did not include marketing or overhead costs. In the study by Hager et al (2004), program margin for arts, culture and humanities not-for-profit organization was 72% in FY2001.

The final operating ratio indicated by Kushner and Pollack (2004) was venue capacity utilization. Revenues in the presenting context are directly proportional to the price and number of seats that can be sold. The number of seats available is the result of the venue capacity and the number performances available. Their study of finance and operations indicate non-for-profit presenter’s averaged 81% capacity in 2001/2002.

The website Charity Navigator (2005) provides a useful methodology for evaluating not-for-profit organizations which includes many arts presenters. In addition to working capital, fundraising and program efficiency ratios, the site also uses an evaluation of administrative expenses, revenue and expense growth rates to understand the performance of an organization. Administrative expenses are measured as a percentage of all expenditures. The median for all not-for profits according to the site was 10.3 %. Kushner and Pollack (2004) report administrative expenses represented 11% of all expenditure for not-for-profit performing arts presenters in their study of FY 2001/2002 Form 990 returns.

Charity Navigator (2005) views consistent revenue growth over of an extended period of time (currently 36 to 48 months) as an indicator of program sustainability. Revenue growth must outpace inflation as well as the growth of expenses. The Theatre Communications Group (2003) study of 214 theaters indicated that the 4 year compounded growth rate of revenues (adjusted for inflation) was 11%, while expenses grew by a rate of 18% in FY2003. The Theatre Communications Group data mirrors the Census Bureau data presented earlier (Table 3) that indicated average annual sector growth of 9.75% for not-for profits from 1997 – 2002. Expense growth was not available from the census data. Salamon and Sullvan’s (2004) survey of not-for profit organizations indicate that liability coverage and benefits were most cited as reasons for increased operating expense. The Theatre Communication Group (2003), Kushner and Pollack (2004) both indicate increases in private contributions, significant decreases in government funding and investment income. Box office income has remained relatively flat in recent years.

20130302

The Financial Perspective (Part 2)


Working capital is also indicated as key financial measure of not-for-profits by Charity Navigator (2005), the Theatre Communications Group (2003) and Kushner and Pollack (2004). Working capital is the net liquid assets of an organization divided by its total expenses for the most recent fiscal year. Working capital indicates an organizations ability to sustain programs and operations during downturns or to take advantage of opportunities in good times. The median working capital ratio for all not-for-profits according to Charity Navigator is 0.7 years (8.4 months). In the Theatre Communication Group study (2003) working capital had reached a low of -.10 in 2003; the fifth consecutive year organizations reported a negative working capital ratio. As cited by the study, a working capital ratio of .25 (3 months) is considered adequate to handle most cash flow fluctuations. Kushner and Pollack (2005) also indicate a significant decrease in working capital among the performing arts presenters it studied. Median working capital ratios decreased from .264 (2001) to .098 (2002); a decrease of 63.1 %. The study also indicates that the current ratio (current assets divided current liabilities) decreased by 32.8%, from 1.98 to 1.33 for the same period. The current ratio indicates current assets available to cover current liabilities; a ratio of 2 to 1 is considered generally acceptable. Table 7 summarizes high level financial measures for performing arts presenters and are an inseparable component of the of an organizations mission to enhance, enrich and improve the quality of life.

Table 7
Objectives and measures for the financial perspective; productivity strategies.

Financial Objective

Performance  Metric

Industry Averages

Sustainable financial operations


Net income ratio
Working capital ratio
Current ratio

.05
.25
2