And as she states:
"We don’t want the pain of recognizing that our consumer tastes, interests, budgets, and technology have so dramatically and fundamentally changed our arts consumption and behavior that we aren’t ever going back."From my perspective, part of the challenge is the collective nature of arts organizations. Decisions, especially management decisions in arts organizations are made through consensus and reflect many different perspectives and interests. Understandably so, most arts organizations cast a wide net to be viable and include both private and public interests. And as we know, its easier to get what you want if you give someone else what they want. Board of directors, foundations, contributors, federal, state and local government, corporate sponsors, employees (both union and non-union) and last but not least, patrons, all have vested interests. And its not all about the art. Keeping them all happy is a challenge, a challenge Executive Directors are paid quite well to take on (compared to other arts workers).
Dare I suggest that we ask too much of our arts organizations? Or perhaps we're putting to much emphasis on economic and social benefits and have lost touch with the intrinsic benefits that the arts uniquely provide human experience. Art for the sake of art, is that possible anymore?
One of the challenges of making the arts economically viable, like any business, is delivering value to the customer. Right now the arts have too many customers to satisfy and are losing support of both the general public and the special interests that use the arts to promote their agenda. The collective approach is a very powerful tool in our human experience, it can also be one of the most destructive. Perhaps it's time to give the artist and the audience the opportunity to talk directly to one and another, removing some the interests that filter institutionalized art.
Technology is one way. Relying more on earned income is another. And it may seem counterintuitive, but less commercialization would give the arts a unique value proposition in the advertising saturated leisure marketplace (like NPR and PBS use to be).
Like the emerging debate on how to decrease the U.S. government debt, Ms. Stevens is correct in that getting to solutions is going to be a "nasty business". The arts have many vested interests, the marketplace is choosing what's viable and it looks like we're in for a "cultural tsunami".